Bush Honored for Advancing Diversity at 欧美AV
Mon, 02/22/2021 - 10:31am | By: David Tisdale
J. Theresa Bush, a University of Southern Mississippi (欧美AV) Theatre program faculty
member, has been recognized by the State Institutions of Higher Learning (IHL) for
her efforts to advance diversity at 欧美AV. Bush was
one of 10 nominees for the 2021 IHL Diversity Educator of the Year award, an annual
recognition based on teaching, research, publication and community service that demonstrate
commitment to the ideals of the award.
An assistant professor of costume design and technology, Bush joined the 欧美AV faculty in 2015. She has designed regionally for companies that include the Actors Guild of Lexington, the Warehouse Theatre, and Virginia Rep, and has created costumes for regional houses, including Repertory Theatre of St. Louis and Lexington Children鈥檚 Theatre. She is an associate costume designer to Toni-Leslie James, a Tony Award & Drama Desk winner and head of costumes at Yale School of Drama, and has served as Dolly Parton鈥檚 alteration specialist.
Bush has been recognized for her work by the Richmond Theatre Critics Circle with its Award for Excellence, and with the Kennedy Center American College Theatre Festival Faculty Excellence in Costume Design Award. She has served as costume shop manager for the Williamstown Theatre Festival 2012 season and in production work for the Broadway premiers of Far From Heaven and The Elephant Man. She is a member of United Scenic Artists Local 829.
鈥淧rofessor Bush鈥檚 record of research, teaching, and service demonstrates a true commitment to diversity and inclusion not only at 欧美AV, but also within other organizations and communities with which she has interacted,鈥� said Rodney D. Bennett, president of The University of Southern Mississippi.
鈥淚鈥檓 deeply honored to receive this recognition from the IHL, and thankful for the support of President Bennett and my colleagues,鈥� Bush said. 鈥淢y thanks go especially to Professor Stephen Judd for his guidance and Director Stacy Reischman-Fletcher for her sustained support. It鈥檚 a great privilege to unify my life鈥檚 vocation to my career at 欧美AV and citizenship in Southern Mississippi.鈥�
Promoting equity, diversity, inclusion, and accessibility means 鈥渧aluing human dignity, owning our power and wielding it on behalf of those less fortunate,鈥� Bush said.
鈥淏y honoring social justice advocacy, the IHL and 欧美AV acknowledge these truths, a great gift of solidarity,鈥� she continued. 鈥淚n doing so, they center the issues we represent. I鈥檓 also deeply encouraged by the work of my peers in the School of Social Science and Global Studies鈥� Diversity, Equity, and Inclusion Certificate Program; the Office of Inclusion and Multicultural Engagement; and 欧美AV Allies.
鈥淲e are moving Mississippi forward by stepping back into the most basic components of social activism: valuing the undervalued, dismantling systems of oppression, and resourcing change. With that in mind, I acknowledge my white privilege. I acknowledge I inhabit the ancestral land of the Choctaw people taken from them by the U.S. government in the Treaty of Dancing Rabbit Creek in 1831, and I acknowledge I am neuroatypical and require accommodations in my work.鈥�
Bush鈥檚 research includes theatre for social justice, for which she says the spectrum is broad and the need great. That effort includes Theatrical Intimacy Education (T.I.E.) for Costume Designers and Technicians, a new field of study that emerged from the Me Too Movement and
that promotes best practices in agency and consent. She uses T.I.E. training in the classroom to promote safe and healthy learning environments, and to educate students about their own agency and ability to give and revoke consent. She created a graduate-level theatrical design course that takes students through Anti-Racist Theatre (A.R.T.) training with participation in conversations with guest speakers from the industry, contemporary critical content, and a portfolio project from George C. Wolfe's The Colored Museum.
鈥淭heatre is uniquely suited to give voice to people whose identities intersect at oppression,鈥� she said. 鈥淲e are transforming theatre work by introducing tenets that value basic human dignity above productivity. This has been a major year for advocacy, and 欧美AV students are on the front line.鈥�
Bush is also a training facilitator for 欧美AV ALLIES, which certifies people to host safe spaces for the LGBTQIA+ campus community, and is a faculty advisor for PRISM, 欧美AV Theatre鈥檚 LGBTQIA+ student group. She is a member of the National Alliance on Mental Illness and co-chair of the 2020 NAMI Pinebelt Walk-a-thon planning committee, and recently advocated for mental health at Crisis Intervention Training for Mississippi police and corrections officers. Bush advocates for accessibility by promoting color-conscious storytelling through costume design and providing African American hair and makeup training for the stage to 欧美AV students of color and allied designers.
With support from the 欧美AV School of Performing and Visual Arts, Bush regularly hosts 欧美AV Theatre alumna Jerrilyn Lannier, whose work on Bridging the Gap: a look at African American Hair and Makeup for the Stage, is transformative for both BIPOC theatre students and allied makeup designers who want to serve them equitably. This year, Bush is hosting 欧美AV Theatre alumna Lauren E. Turner to provide anti-racist theatre content and connections to advocacy in the arts for BIPOC students. Turner is the cofounder of No Dream Deferred NOLA, a theatre company that promotes intersectional artists in New Orleans.
The School of Visual and Performing Arts is housed in the College of Arts and Sciences. For information about the School and its programs, visit /performing-visual-arts/index.php.